Marcel Duchamp and Max Ernst: The Bride Shared (Clarendon Studies in the History of Art)
Category: Books,Literature & Fiction,History & Criticism
Marcel Duchamp and Max Ernst: The Bride Shared (Clarendon Studies in the History of Art) Details
Review impresssive study .../ copiously illustrated and pleasingly annotated.../ For any reader wishing to deepen their knowledge of these particular paintings the book is a welcome shake-up of more canonical readings. Dr Hopkins finely spun theoretical framework - dancing as it does fromRosicrucianism to Dutch Symbolism to Descartes and back again - sometimes veers toward hermeticism itself, but nonetheless opens unexpected new prospects on the four central works./ A.A., Art Newspaper, July-Aug 1999. Read more About the Author David Hopkins is at University of St Andrews. Read more
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Reviews
If you are looking for individual research involving either artist, look else where. Nonetheless, this book gives a good gleamce into two revolutionary artists lives as they relate to one another. The "true" father of modern art, Marcel Duchamp, and his mad-photographer, Max Ernst as their lives mingle between negative, photo, and glass.
